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WHAT do we still wish from Bill Murray? His improvised film career — in that he has parlayed performances as a easygoing heroes of 1980s-era slapstick into a existentially capricious heading group of courteous comedies like “Groundhog Day,” “Rushmore” and “Lost in Translation” — would seem to be sufficient. Yet we direct some-more from this 62-year-old actor, on whose imperishable face a witty smile and a contemplative gawk demeanour equally during home, and he appears happy to give it to us in his life over a screen. Tracking his movements in a wild, as he crashes karaoke parties and kickball games, has turn an online pastime; Mr. Murray himself has turn a folkloric homogeneous of a pixie or angel godparent, popping adult during indeterminate nonetheless well-suited moments.

His latest role, in “Hyde Park on Hudson,” feels loyal to his insurgency to being pinned down in any way. In this film, that is destined by Roger Michell and that Focus Features will recover on Dec. 7, he plays President Franklin D. Roosevelt as he manages an event with a apart cousin (Laura Linney), a revisit from George VI of Britain and a crippling effects of his polio. It is a partial that roughly no one, slightest of all Mr. Murray, approaching him to play, and it once again raises a question: Why does he do what he does?

On a new revisit to New York Mr. Murray gave a publisher a front-row chair to see his untroubled truth in action. Actually, closer: After Mr. Murray’s speak with another interrogator ran overtime, we was invited to accompany him to an dusk entrance during Florence Gould Hall — and onto a theatre of a theater, where a private discuss incited into a open philharmonic for a few hundred members of a Screen Actors Guild. (Imagine concomitant Mr. Murray on a chronicle of the famous tracking shot from “Goodfellas,” by a behind bedrooms and guts of an unknown building until a impulse we design to partial ways and take your chair in a audience, customarily to comprehend afterwards that you’re partial of a act.)

In these excerpts from that day’s conversations, Mr. Murray spoke about his need for a life giveaway from preconceptions as most as he demonstrated it.

The afternoon starts in a Midtown Manhattan hotel room, where a publicist warns that Mr. Murray, now in a plaid shirt and blue shorts, will shortly have to change for his open appearance.

Q. It’s good to accommodate you.

A. I’m contemptible we went too long. we usually feel badly when someone doesn’t have enough. Everyone wants to speak longer. Even we wish to speak longer sometimes. And afterwards we puncture myself into holes we gotta get out of.

Q. Have we been removing good feedback on your performance?

A. I’m extraordinary to see what people cruise of it, usually ’cause it is not like an typical movie. we don’t know if it’s good or not. We’ll see what we get.

Q. Were we astounded that we were offering this role?

A. we thought, “Can this man be serious?” we wouldn’t have expel myself. But this man did, and about median by we went, “Wow, he unequivocally was right.” Not to review myself, yet certain celebrity things were similar, like a approach he attempted to leaven things and pierce courtesy around a room, get everybody their small cut of a sun.

Q. When you’re personification a real-life figure like Roosevelt, do we do any additional credentials for a role?

A. I’ve always attempted to be a small bit loose. This good executive we had during Second City [Del Close] said: “You wear your characters like a ditch coat. It’s still we in there, yet there’s like a ditch coat.” So we figured this was like a winter ditch coat, since there was usually a small bit some-more sense that comes to a party. So we did a lot some-more reading, a lot some-more studying.

Q. What did we learn from your research?

A. People ask, “Did this unequivocally happen?” Well, if we review a diaries, it’s unequivocally transparent that it happened. The essay changes. You review this after stuff, when we’re during war, and he’s not revelation his wife, he’s not revelation a cupboard — they don’t know where he is. But he’s promulgation messages by bearer to her each day. This lady was a vault. we adore that expression: “She’s a vault.” He could tell her anything, and it wasn’t withdrawal her head.

Mr. Murray, carrying altered his shirt yet still in a blue shorts, leaves a hotel and play a chauffeured S.U.V., where a review continues.

Q. It sounds as if we also wanted to communicate Roosevelt’s voice as most as his earthy presence.

A. We had a contention about it, and we concluded that we don’t wish to do an impression. You wish to get it in you, and afterwards we wish to play — — [The automobile is unexpected cut off by another vehicle.] That chairman was insane. [To his driver] Well-avoided, Mustafa. But we can strike her now. She’s got it coming.

Q. When an actor decides to play a president, it’s mostly a vigilance of incomparable ambitions or agendas. Is that a box here?

A. The thing we was endangered about was: The story that we’re going to tell, is it going to be a ripping down of an icon? we don’t know if we wish to be partial of that kind of action, where we rabble someone. What was a John Travolta movie, “Primary Colors”? we didn’t wish to do something where we were unequivocally usually napalming someone.

Q. There’s a kind of fun we seem to move out of people when they confront you. Do we notice that?

A. Some are some-more joyous than others. I’m of a robe that if there are people watchful outward a hotel, we don’t pointer those autographs there. Because that means when we come behind in a center of a night, they’re still there. It’s customarily a one-time thing. That’s it; that’s your one time. You try your hardest, yet we can’t always be perfect.

As he responds to this question, Mr. Murray brings me with him onto an elevator, running me by a backstage area and onto a stage, where a trusting assembly applauds rapturously. Even yet these skeleton were certainly explained to me forward of time, a outcome is one of dreamlike disorientation, followed by a low exhale and a taciturn preference to follow Mr. Murray’s lead.

Q. We were usually articulate about a fun we move out of people. Do we trust it now?

A. Is this like a “Oprah” show? Does everybody have a present underneath their seat? You guys are flattering jazzed up.

Q. we have review that we customarily cruise offers that come to we through a special 1-800 phone number.